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The Buddhaisawan Chapel on the grounds of the National Museum Bangkok |
Whenever I find myself in a nation not my own, one of my favorite things to do is visit that nation's national museum. Having woken up this morning in a nation not my own, and with no prepaid, designated itinerary for the day, today was the day for the National Museum Bangkok, Thailand's national museum.
Like Bangkok, the National Museum Bangkok is large and sprawling. But, in a change of pace from the tourist sites to which this tourist visited yesterday, the museum was thankfully somewhat uncrowded.
Could be because this is Super Bowl Sunday. I mean -- don't sue me for copyright infringement -- the Day of the Big Game Which Shall Not Be Called "Super" Unless You've Paid Millions. (I know. International Date Line. It might be Sunday afternoon here, but the Bowl of Super won't happen here until Monday morning.)
This is the Long Song Pavilion in front of the Buddhaisawan Chapel. "Long Song" -- as in "'American Pie' is a really long song."
Building 1 is the first building on the tour. It holds special exhibits. Prepare yourself for somethings special:
Yes, a water pot shaped like buffalo.
But even more special, are these:
And, of course, it woudn't be a special exhibit without an elephant:
Or a tourist doing the selfie-thing in front of the elephant.
A lion on a turquoise-colored pedestal:
And, while I don't really understand this next one, I don't need to:
It's a fish in front of a wall of eastern imagery. There is a series of four fishes along this wall. One has its gills and pectoral fins moving.
Shall we move on to the Buddhaisawan Chapel?
First, before going inside, I feel the need for another selfie:
The light was better outside.
Guard chickens:
Guarding the shoes of those inside the temples. Got to remove your shoes if you want to go inside the Buddhist temple because that's the rules.
Moving on to Samranmukkhamat Pavilion.
That is, technically, not a selfie. I took a picture of six Chinese tourists who kept having one step out of the photo to take the picture of the other five and one of the members of grouped thanked me by taking my picture in front of the Samranmukkhamat Pavilion. That is one difficult to spell pavilion name.
Side view. Without tourist(s).
We now move on to the Maha Surasinghanat Building, housing Thai archaeological artifacts from prehistory up through the 13th Century.
There's no point in me commenting since I don't recall the time period of these objects of from where in Thailand these objects were unearthed.
Although I will comment to add that Northern Thailand has a much greater concentration of archaeological sites. The far south, that dangling participle of Southern Thailand that goes to Malaysia, basically has nothing of interest from an archaeological standpoint.
I found this one intriguing:
It's an elephant. I always find elephants intriguing.
A buddha in marble. On the right. The two objects to the left most definitely are not marble.
Nor buddhas.
Stupa replicas.
I found out the other day what is the purpose of a stupa, those tall towers you see at temple sights. They hold icons and relics of the Buddha. Basically, a stupa is a buddhist reliquary. To put it in Catholic terminology.
This one genuinely fascinated me:
Look closely at her upraised hand.
She's making the "OK" sign.
Pieces of people sculptures.
Pieces of people is a common motif in archaeological museums with Greek and Roman artifacts, since almost nothing survives a couple thousand years intact.
This one makes a reference to a captive being given punishment.
I guess being decapitated and having a stick shoved down your throat would count as "punishment."
Moving on to the next room is a display of wheel-like objects, each of which is called:
I understand the concept of the law being like a wheel you spin and randomly comes the prize, sort of like Pat Sajak and Vanna White meting out justice on "Wheel of Fortune." But why the deer in the foreground in front of not only this particular Wheel of the Law, but in front of several of them?
This one is called "Buddha Preaching":
What's interesting is that the Buddha's fingers are gesturing "scare quotes," Makes one question the validity of what is being preached there.
Another Wheel of the Law. Sans deer. But with Buddha.
More than one set of arms, to me, and I think: Hindu.
In some ways, again using Christianity with which I am much more familiar, the relationship of Hinduism to Buddhism seems to be similar -- not an exact parallel -- but similar -- to that of Judaism to Christianity and, especially, Roman Catholic Christianity.
I guess I should've asked the monk.
But I didn't want to interrupt.
At this point on the tour, I am starting to get Buddha-ed out. There are only so many Buddha icons that I can take. Sorry if that's not being respectful.
But I will never tire of elephant statuary.
I learned the other day that when you see a Fat Buddha, it usually means: Chinese. Chinese Buddhsim enjoyed imagery (or iconography) (not sure which is the better word) of the Fat Buddha. In Chinese culture, fat means wealth. So that is one wealthy elephant up there.
And, in light of all this disrespect I am showing to the historical artifacts:
Just stop it. Stop.
Only a few buildings left. Next up is the Issaret Rachanuson Building.
The former residence of King Pinklao.
Royal beds. And a monk in the living room.
But, first, a statue of a man battling a demon. I'm guessing it's a demon, since it has the body of a man but a dragon's tail. The last building in the museum complex was so awesome I'm breaking it out into its own post.