There is one reason to visit the picturesque valley town of Hrastovlje, Slovenia. It is to see the large fresco "Dance Of Death," which dominates the interior of a small stone church. The fresco shows various skeletons dancing and interacting with regular townsfolk. All the guidebooks recommend seeing it. And me, being a Pag sheep who's been a diet of delicious herbs and salt, do what I am told.
Slovenia, being such a small country, is fairly close in size to what it appears to be on the map. Hrastovlje was only about one-quarter inch from the border on the map and, sure enough, I was quickly upon the town soon after crossing the border. The border crossing was not uneventful, as I alluded to earlier. But my problem was on the Croatian side of the border. I was waved past the first station by the police officer inside the little booth. I thought that meant I could drive on past. Then, as I was driving past, I heard a female voie loudly say "dober dan," Croatian for "good afternoon," and I was driving by, I thought, "Oooops. I guess I was supposed to stop." Luckily I was able to back up before I was chased down. I was rewarded for my misbehavior with a car search. They even looked inside my messenger bag. I had to explain what I was doing with such a large stash of Cliff Bars (snacks!) -- which was not easy given the very limited English language skills of the border police.
The Slovenian customs check was a breeze. I got my passport stamped -- which the Bosnians did not do to my disappointment even though they were asked, I had to buy a "vignette," a tax stamp which allows you to drive on the highways of SLovenia. No one at the gas station spoke a lick of English, which was surprising, as the well-educated, relatively-wealthy Slovenes are supposed to be great speakers of the English language. It took awhile, but I was able to finally buy what I needed after I found the word "vignette" in my guidebook. My preceding attempts to describe what I wanted to purchase ("a tax stamp ... so I can drive [move arms as if rapidly turning a steering wheel] ... on the roadways"). Here's another life lesson: when you're talking with someone who speaks just about no English, a very detailed description of what you want spoken in English, is useless, despite the great detail. Who knew.
All of which means it was about 5:45PM when I finally pulled into Hrastovlje. Again, I wound down a meandering series of one-lane roads, occasionally seeing a sign reassuring me I was headed in the right direction. I got to the church, and it is a beautiful church:
Unfortunately, it was locked:
The sign said it was open until 18:00 and gave a phone number of who to call to get the key. There also was a picture of the house of the key keeper. I did not have a phone -- well, actually, I do have my phone, but Verizon is not Europe-friendly -- so I drove the short distance to the town to try to find the house. I was hoping there would be some indication of which house was right. Perhaps a giant picture of the church with a neon key underneath?
A man saw me driving through the village, looking confused and I think he asked me what I was looking for. I can't be sure, since he was speaking Slovenian and I was responding in English. I pointed toward the church, said "key," and made a lock-opening motion with my wrist (why I didn't point to my car key is beyond me -- I guess I thought that wasn't sufficiently clear that pointing to an actual, tangible "key" would make it clear I was looking for a "key"). Oddly enough, he seemed to understand what I was looking for. He made a few phone calls, went to one of the village houses, but got no answer.
So I never saw the "Dance of Death." The closest I got was this picture, looking through the locked iron gate to the church exterior:
Even if I had gone inside there would've been no pictures allowed. And I don't take pictures inside churches when I'm told not to. Not after what happened to me in Salvador, Brazil. I took pictures inside a beautiful old cathedral of São Francisco even though the sign said no flash photography. I thought I was OK since I could use the old "I don't speak Portuguese" defense. After I returned, when I got my film developed -- this was in the ancient era of film photography -- that one roll of film was ruined, from the point forward from the picture-taking inside the cathedral. I learned my lesson.
But I didn't get to see the "Dance of Death" even though I would've abided by the rules.
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